Arabic calligraphy is one of the most highly regarded arts forms in the Islamic world, because it is the language of the Qur'an, the sacred book of Islam. Muslims believe it was dictated to Muhammad by the angel Gabriel between 610-632 A.D. Since then, Arabic calligraphy has become a highly developed art form due to the prohibition of images within most branches of Islam.
Exploring the intersection of indigenous visual art and the Gospel of Jesus Christ.
Tuesday, September 28, 2010
Arabic Calligraphy
Arabic calligraphy is one of the most highly regarded arts forms in the Islamic world, because it is the language of the Qur'an, the sacred book of Islam. Muslims believe it was dictated to Muhammad by the angel Gabriel between 610-632 A.D. Since then, Arabic calligraphy has become a highly developed art form due to the prohibition of images within most branches of Islam.
Friday, September 17, 2010
Native American Contextualization
Although not dealing specifically with the visual arts, I invite you to check out the newest issue of Mission Frontiers magazine, "Making Jesus Known." It has articles by several native Christian leaders about contextualization, and each article (or the entire issue) can be downloaded in pdf format. I'm still reading through it, but so far have really enjoyed the article on contextualized sweat lodges!
Monday, September 6, 2010
Early Examples of Contextualized Christian Art
I'm currently reading Our Sacred Signs by Ori Z. Soltes, and in Chapter Three he discusses the origins and development of (western) Christian art. It's interesting to read how these early Christ-followers in Europe combined their new understanding of Jesus with imagery from their pagan background in ways that were either complementary with their faith, and/or by infusing pagan motifs with new Christian meanings.
Tuesday, August 31, 2010
Tibetan Thangka Paintings
The thangka is a striking visual art form that originated in Nepal and later spread to neighboring Tibet along with Buddhism beginning in the 7th century A.D. (the oldest surviving thangka dates from 999 A.D.). “Thangka” means ‘that which can be rolled up,’ because it is a painted or appliqué image on a cotton or silk scroll. Thangkas typically depict Buddhist deities, stories or mandalas. They can range from a few inches in size to over 60 feet wide for giant festival thangkas, which are displayed on buildings or hillsides.
Thangkas combine styles and motifs from several cultures. Because they were first developed in Nepal, the style of the figures is Nepalese, though the measurements, costumes and objects are Indian (Buddhism originated in India). The background landscapes are based on Chinese art.
Monday, August 16, 2010
Chinese artist He Qi
He Qi (pronounced “Huh Chee”) is a contemporary Chinese Christian artist that paints primarily biblical themes and scenes. However, he combines these stories with Chinese cultural elements drawn from the colorful folk art of the Chinese countryside, and rural Tibet. In addition to these sources, he also references the iconography of the Western Middle Ages and Modern Art. If you aren't familiar with his art and story, click here to read more about the symbolism in his work and his own personal journey.
Sumatra: Isle of Gold
Here's an interesting review of an exhibit about the cross-cultural art of Sumatra at the Asian Civilizations Museum in Singapore. Too bad I won't be able to make the trip...
Monday, August 9, 2010
First Nations artist Don Froese
I featured this image on my very first post. There's a great article (p. 1-2) about the First Nations artist who carved it, Don Froese. The wood carving is beautiful and Froese gives a full description of the symbolism. It's absolutely awesome to see such beautiful First Nations/Native American artwork contextualized to show Christ's love for the artist and his people. Check it out!
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