Chinese Nestorian Headstone

From the University of San Francisco Ricci Institute for Chinese-Western Cultural History:

THE LOTUS & THE CROSS: EAST-WEST CULTURAL EXCHANGE ALONG THE SILK ROAD 

This online exhibit replicates the exhibition of large-format photographs of stone tombstones from Fujian province in South China and stone crosses from Kerala state in South India was mounted in September 2007 in conjunction with the Lotus and Cross symposium.

Christian Headstone with Canopy

Yuan dynasty (1272—1368)

Quanzhou Maritime Museum

Ricci 20 KP 020 Z24

A canopy or parasol was used in ancient India to protect kings and other royals from the sun, and it subsequently became a symbol of power and prestige. It was natural to use a canopy in association with the Buddha as he had been a prince before attaining enlightenment. It can be seen in the early Buddhist art of India, and was transmitted to Central Asia and China where it appears, for example, at Dunhuang. A similar canopy to the one shown on this tombstone can be seen on a panel relief on the Eastern pagoda of the Kaiyuan Temple in Quanzhou, completed about 1250.

The discovery of the canopy’s presence on Christian tombstones of the Mongol period is quite remarkable, and yet explicable in the context of the multiculturalism of Quanzhou. The canopy has tassels or streamers dangling from it and protects the cross emerging from an open lotus flower.

Headstone with Lotus and Cross

While I'm slowwwwly writing the next post on my series A Brief History of Visual Contextualization in India, here's a cool image from the USF Ricci Institute for Chinese-Western Cultural History that I came across showing a beautiful Christian headstone from China.  It dates from the Yuan dynasty (1272—1368) and is now located in the Quanzhou Maritime Museum.  The caption reads:

Headstone showing a cross on a lotus flower and a cloud design set within a plain border following a curved outline. This basic design is repeated extensively in the Christian monuments dated to this period, although its iconographic import is unknown.